Carl Jung

Language of Energy, Poetry of Life: Season 2, Episode 7

On this episode of the Star Love Podcast, we welcome astrologer, writer, and teacher Rebecca Gordon. Rebecca calls astrology “the language of energy” and “the poetry of all life”, and she lives out these maxims, taking an empathic, deeply emotive approach to her work that embodies the feel of astronomy for astrological purposes. Possessing a musical and artistic background, Rebecca consults with individuals, businesses, and has a passion for teaching with her Astrology School having run for 15 years. I was moved by this interview because the creative spirit Rebecca brings to her work is where I feel astrology should go. Please rate us on Apple Podcasts, and if you’re interested in sponsoring the Star Love Podcast, email Inner Makeup business manager James.

Recorded Mid-Day October 8, 2020 Central Time.

Time Stamps for Time Keepers

0 Introduction

2:32 Interplay Between Astrology and Astronomy

10:17 Rebecca’s Artistry 

15:29 Getting into a Poetic Mindset

24:10 Astrology and Music

27:35 Astrology and the Humanities

33:20 Medical Astrology

43:06 Astrology in the Business World

48:00 Number 5 and Chanel No. 5

51:35 Transits of 2020 and 2021

57:22 Closing

Link to Rebecca’s Website

Sign Up for Rebecca’s Astrology for Entrepreneurs Course, her most popular course. Launches soon: January 27, 2021. Rebecca’s Astrology School has been running for 15 years and on the podcast we talk extensively about her style of teaching that inspires creativity.

This is fun: Receive Your Complimentary Download of Sync Your Calendar To Cosmos, a moon sign guide that will sync your daily calendar to the lunar signs each week.

Star Love Podcast Season 1 Episode 7 Featuring Psychic Cari Roy

New Orleans #1 Psychic Cari Roy.

New Orleans #1 Psychic Cari Roy.

On episode 7 of the Star Love Podcast we welcomed New Orleans’ #1 Psychic Cari Roy. I met Cari Roy at a hobnobber event, and we became fast friends. On the show we discussed having common roots in Philadelphia, how her parents sang opera professionally, and even an experience where as a young girl she sat on William F. Buckley’s lap! Cari is one of the smartest psychics you’ll ever meet, and it was a joy to talk with her about metaphysics, religion, skepticism, and how people starting out in a creative or non-traditional career path can succeed.

This episode was recorded on November 11, 2019, the date of a very special lunation where Mercury was cazimi, or in the heart of the sun, meaning Mercury was visually was right in the center of the sun. As mentioned in the podcast, this hit both Cari and my chart’s at very powerful points, so it was an interesting time to record this podcast. It was somewhat haphazard, the date we chose, as we had to reschedule a couple of times, but maybe it was divinely planned :). Or maybe just chance. Take your pick.

Time Stamps for Time Keepers

0-6:43 Introduction, Cari’s bio, the special lunations at the time the recording (November 11, 2019), Cari’s early psychic experiences, and Cari’s family background

6:44-12:45 Cari’s family members who were both scientists and “creatives-types”, science and creativity, Uranian and Neptunian strands of the divinatory arts, knowing and mystery, and religion and science 

12:46-21:44 Cari’s opera singers parents and her singing background, her extensive international travels, and how singing led to her psychic career 

21:45-27:24 The history of the occult arts in New Orleans, Cari’s learning her trade from her forbearers, and having the discipline to do multiple psychic readings in a day  

27:25-35:53 Cari’s childhood run in with William F. Buckley, the enduring line of her career as a psychic, and her advice for young aspiring creative professionals

35:54-39:16 Cari’s attending school in Philly, her educational backgound, and studying comparative religion 

39:17-41:27 Cari’s take on divine creative inspiration and its relationship to psychic ability

41:28-46:02 Why people come to see Cari for readings, fate and free will and how it relates to time, and what free will agency, if any, we humans have

46:03-55:30 Ethical questions surrounding predictions and the psychic arts, how to handle different situations and clients, and the participatory nature of a reading  

55:31-57:07 Dating as a psychic

57:08-1:02:44 Cari’s second Saturn return, going through breast cancer, and upcoming transits for Cari

1:02:45-end Cari’s take on current astrological transits, the value of taking a break from looking at transits, and how frequently one should get a reading

Star Love Podcast Season 1 Episode 3 Featuring Maxine Taylor

Maxine Taylor

America’s First Licensed Astrologer

On episode 3 of the Star Love Podcast we welcomed astrologer Maxine Taylor. I was excited and honored to have Maxine on the show and discuss her pioneering work that got astrology licensed in Georgia. Thus she became America’s first licensed astrologer. Maxine and I talked about a wide array of topics including religion and the “chance” encounter that led her to become an astrologer. There are many fun stories in this interview about some of the major figures of astrology, including Isabel Hickey and Marc Edmund Jones, and you’ll surely want to get a feel for how Maxine helps people, in her own words, “Move Into the Magic.” You can also visit Maxine’s youtube channel here. Below are some stellar books mentioned throughout the podcast.

Maxine’s book which helps you remove blocks, overcome counterproductive cycles, and Move Into the Magic!

Maxine and I discussed our mutual love of Isabel Hickey’s classic text, and you’ll even get to hear a personal anecdote of Maxine’s interaction with this legendary 20th Century Astrologer.

Maxine and I also discussed the influential book by influential astrologer Marc Edmund Jones. This one is a little more challenging, as Maxine retells a story about how Jones intended it to be, but it’s nonetheless an incredible classic.

A book by Maxine’s favorite astrologer Katherine de Jersey.

Donate below to support to continued production of the Star Love Podcast. If you’re interested in sponsoring an episode or season of the Star Love Podcast, contact Inner Makeup Astrology business manager, James Filtz

I participate in the Amazon Affiliate program to help support the cost of operating Inner Makeup Astrology. I only recommend books I wholeheartedly support.

Fellini's Astrology Chart? He Was "Born a Liar"

Fellini earned income writing gags and jokes early on in his career symbolized by Gemini sitting on his 2nd house of money.

The filmmaker Federico Fellini has been on my mind since I gave a lecture at the American Italian Cultural Center. After doing some research I found a quote where he said he started off out as Marc’Aurelio and ended up Marcus Aurelius, meaning beginning as a gag writer, prankster and ending up a philosopher. 

In Fellini’s words, he became the philosopher Marcus Aurelius over time symbolized by strong activity in Sagittarius on the 8th house of the personal unconscious where he derived much of his knowledge later in life.

Fellini lying to us?

There is some controversy about his birth time, egged on by Fellini himself, but after exploring his life I find that the chart which has him as Taurus Rising seems to fit. It puts Gemini on his second house of materials and money, and he did draw his income from his gag writing even after he became a “serious” filmmaker. He was deeply interested in Carl Jung’s ideas regarding the personal unconscious, exploring this realm deeply with others through drugs, analysis, dreams, and sex. This I find symbolized in his 7th house sitting in Scorpio where his north node of karmic future is located, and his chart ruler Venus located in the eighth house of dark sexuality and being deeply drawn towards others. His 8th house is ruled by Sagittarius, the sign of knowledge and the seeking of profound knowledge. Even though Fellini lied to us, astrology is a powerful tool to shed light upon the unknown. 

Is it Fate or Free Will?

I recently gave a lecture at the American Italian Cultural Center in NOLA, the topic exploring the spiritual dimensions of three major Italian films. For all of you astro buffs out there, there was a massive amount of transiting 9th house activity in my astrology chart, the area concerning travel, both literally and figuratively, and higher knowledge and learning. I was struck by the complex and paradoxical nature of the directors’ spiritual and faith orientations; for example, Federico Fellini was a lifelong Catholic yet consulted the I-Ching, an ancient Chinese system of divination, and also recorded his dreams dogmatically. He, under strict supervision, took LSD to gain insight into different realms, yet learned through some of his dreams that though he often played the part of a rebellious child, he appreciated the check of the church on his creative machinations.

What ultimately interested me, though, was Fellini’s admonition that one shouldn’t always consult such tools as I-Ching or astrology, and if one did, he ran the risk of being paralyzed by an idle, overactive mentality. Interesting, in astrology, the 12th house, arguably the most spiritual of all, symbolizes isolation but also spiritual freedom from the material world; so, perhaps confinement isn’t always so bad. Yet Fellini had an inarguable point, namely the intent, and perhaps even the spirit of consulting a higher, mysterious power has as much to do with the act of divination itself, whatever the method.

Which brings me to the greatest of all the questions: is our existence governed by fate or free will? This question has animated virtually all cultures over all time. It seems the more ancient you go, the more a culture believes in fate. But with the rise of Western civilization, science, and modern religion, and the subsequent discovery and reinterpretation of the laws of nature (notice I did not say mastery of nature), many of us lead incalculably more comfortable lives than those even one hundred years ago. But the questions still remains, what is fate, and what is free will?

The author of the famous Moment of Astrology believes that astrology as the Queen of all systems of divination allows us to negotiate with the heavens. We might not ultimately decide our fates, but we do get to negotiate. I take this a step further and submit that the reason (pun accidentally occurring) we get to negotiate is because we accept chance and fate in the form of things like astrology. One is born at a specific time and place, the heavens transfixed in a moment, the seed that ultimately flowers into one’s existence. Yet coming to an astrology session means a momentary suspension of one’s supposed free will agency and that by consulting and asking a different, oblique, and arguably higher power for guidance, one gains free will agency. I’ve been holding as of late that it is no “I” as an astrologer who performs astrology, but I is “I” who learns and studies astrology and in the moment of an Inner Makeup session, performs a reading. This is akin to a musician who learns his craft through practice and then performs a piece of music or an actor who studies his lines and then recites them in a play. This is certainly not the egoistic “I” of free will.

Yet again, by suspending one’s self, the self actually becomes empowered in a circuitous turn of events, akin to a suspension of disbelief during the witnessing of a performance or work of art, a momentary slip of the inquiring mind, and the gaining of insights that come from within, or somewhere else, that lead to a transformation of the self. 

Might Fellini have been onto something? That how we approach such matters is just as critical as the matter itself? As the poet Rilke famously asked of us, Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.

This theme led me to recall an old episode of the Twilight Zone, Nick of Time, now available on Netflix where a young, newly-wed couple becomes stranded in a small Ohio town and discovers a “Mystic Seer” machine/napkin holder in a local diner. We are introduced to the wife who brandishes a confident, striding attitude whereas the husband (a young William Shatner) fashions a much more brooding, anxiety-laden attitude towards everyday affairs. The husband is up for a promotion at work, and after consulting the Mystic Seer, who spits out a slip “it has been decided in your favor,” he hurriedly rushes to a pay phone to call his employer. He learns through the grapevine that he has received the promotion, fulfilling the prophecy of the oracle. The husband consults the oracle obsessively over a variety of matters with varying degrees of ambiguity and accuracy, but nevertheless the couple comes to believe in the oracle, that is until they decide it is better not to consult it rather than consult it and to follow the wife’s initial buoyant “take life as it is” attitude vs. the fatalistic, fearful attitude of the husband. The episode closes with another couple who apparently consults the Mystic Seer machine habitually and are portrayed as addicted and entrapted, in astrological terms by twelfth house matters. 

Which brings me back to Fellini’s charge that one shouldn’t consult methods of divination too much and that intent has a lot to do with the outcome especially where self-fulfilling prophesies are concerned. But this still leaves open the question of fate vs. free will. We like to think, think being the operative word, that we have free will. But the material sciences, and/or spirituality, have taught us that within and outside of ourselves there is much more going on beneath the surface. Regardless, does the mind, especially our conscious perceiving mind, have the ability to govern fate? I believe yes, but the percentage is small. Also, as Carl Jung noted, when the conscious ego becomes inflated, when we try to become gods controlling fate, we are invariably slapped back down by nature via tragedy. Yet this does not imply an entirely deterministic existence.

If we have the ability to freeze phenomena, like an individual’s birth as symbolized through a natal chart, through the art of astrology, at least for a moment, we are gifted a glimpse into something beyond space and time because a birth chart, and any astrology chart, is a snapshot in time—but it doesn’t stop time. It is a chance to reflect and glean new insights garnered from a process largely governed by chance. This is where I’ve struggled a bit. Is chance deterministic? Is there a set order of numbers, directions of particles, and movement of light that is destiny? Yes and no, because we know that when we look at something, the observer effect, we change it. However, that does not mean we receive a blank check for free will, and regardless of our perspective, massive forces forever flow beyond our control.

So again, it goes back to Fellini, who started as a gag writer and artist, and in his words, ended up a philosopher. In astrological terms, this progression would look something like Gemini to Sagittarius, curiosity to knowledge. The only question is, what are your questions? And will you love them enough to believe in them and hopefully receive divine revelation? Or, will you fearfully seek the answers that may never come? 

Is a New Moon in Gemini a Potential Undoing?

Gemini Factory

Every day as I cross the Crescent City Connection bridge, I notice a factory that features a Gemini symbol and two smokestacks. Gemini is a binary sign and the duality of the smokestacks curiously mirrors and emphasizes this. As we are experiencing a new, invisible moon in the sign of Gemini, I decided to take a closer look at the factory. I was told by a gentleman that the factory used to be a sugar refinery, fitting for potentially candy-loving Gemini, the childlike, extroverted, and communicative sign. However, when I pass the factory, I always wonder, “What went wrong?” Perhaps astrology, from an acausal standpoint, can provide an answer.

Carl Jung famously called synchronicities, or meaningful coincidences, the “acausal connecting principle.” I draw a connection between the Gemini moon phase and the factory, that Gemini is the twelfth sign of moon-ruled Cancer, thus its potential undoing. Signs are relative to each other, and the last sign that precedes each sign is its potential undoing, as the twelfth or last sign is an ending. For example, Leo is the twelfth sign of Virgo if you go around the zodiac. 

With this new moon in Gemini, the moon wants to be in its home sign of Cancer, but it isn’t. It’s in its twelfth sign of Gemini, emphasizing a glib childishness that could spell disaster. What are you to do? Examine the pleasure-seeking, game-loving parts of yourself and make sure they aren’t your undoing, perhaps like a factory that got ahead of itself seeking sugary success. Or, bring those impulses out into the open so they can be expressed healthfully rather than repressed. The moon is new, so it is a ripe time for wishes. Just make sure they’re the types of wishes unlike the Gemini-like curiosity that killed the cat. 

I’m Dan Beck, a spiritual consultant and astrologer based in New Orleans, LA, and I provide a variety of offerings for your spiritual longings. To book an appointment or select one of my offerings, click here.